2 Pianos, 4 Hands franchise offers a lesson in creating theatrical success
When former National Post theatre critic Robert Cushman reviewed (positively) Ted Dykstra and Richard Greenblatt’s uber-popular 2 Pianos 4 Hands in 2011, he noted that it was the third time he’d seen the show but that he’d forgotten the extent to which the drama-cum-music-cum-comedy piece