The tourism industry might find this one a tough sell. Early in Omari Newton’s hip-hop/theatre amalgam Sal Capone: The Lamentable Tragedy of, now at the National Arts Centre, a transgendered First Nations character named Mac/Shaneyney sneeringly informs us we’re just “tourists,” theatre-goers dropping in for … Continue reading Review: Sal Capone production is “loud, violent and immersive” and finely wrought